This experimental dance film employs a bastardized version of the 1930s’ three-strip Technicolor process. Shot entirely on black-and-white film through colour filters, the images were recombined into full colour through optical printing techniques, one frame at a time. The gestures in this dance work explore the psychological fracturing and reunification in representations of the female body.
Three Part Harmony: Composition in RGB #1
Stills From Video
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