“The square is the sign of a new humanity. It is something like the cross of the early Christians.” — Theo van Doesburg, upon greeting Hans Richter and Viking Eggeling in Klein Kolzig, 1920 Today’s visual imagery is split body from soul, images employed expressly for their representational value in a linguistic manner; form an afterthought. “Rhythm 92” reverses this, intermingling camera images with light, flare and color in an orchestration of pure form, foregoing meaning. (San Francisco)
