“La Fin” is a first film. It’s an exercise in style where metaphors are mixed freely to create, from a banal morning scene, a world increasingly surreal and unusual. By a wink of an eye, the film then liberates itself from its own symbolic collar to envisage, if not going beyond the limits set by and for the individual, at least a sense of humour that exorcises us from the traditional themes of alienation in our modern world.
