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Letter to a Long Lost Friend

The processes of memory bringing forth, after. American Retreat. “An image I can live with.” The arc and shadow of time. We are presented with an image of trees which slowly fades to black. As it fades, quick luminous close-ups of branches with, and then without, leaves emanates from the darkness. We travel from the midst of a situation (not seeing the trees for the forest) to memory’s preoccupation with condensed luminous details. Finally it is only the details which we keep with us; the original situation fades into the past. On the soundtrack we hear a man reading from a diary about touring through northern Italy; the things he sees, the people he meets, and the details which will be the only record of his passage when he looks back on his experience.

Film Maker
Rayher, Robert
Year
1980
Country
U.S.A.
Length
8
Genre
experimental, narrative