This early short already shows Kneller’s characteristic image manipulations, lyric sensibilities, and insistence on a simultaneous presentation. The central figure of this film poem is a distorting mirror, reflecting from a distance the stern grid of an apartment block, rendered now in wavy lines of loopy abstractions. This conversion of material into immaterial closes with an image of a window plant, as if these cycles of transformation had emerged from a plant’s vision after all, its conversion of sunlight into oxygen (photosynthesis) an emblem for the transformative power of seeing.
