While primarily an entertaining tale, “Teknicly Inkorect” is also a film that explores the processes of film sound and image, spectatorship, program-ming and projection, while relating it thematically to a caveat against global over-reliance on technical expertise. It quotes from filmic forms such as documentary, experi-mental, animation and drama, and involves the layering of several levels of images and sound. “Teknicly Inkorect” uses documentary live action, cel animation, undercamera object animation layered over cel, cutout animation, computer-assisted undercamera animation, and copier animation.
