“Using the drawings of Bruno Schulz, who must be numbered among the great writers of the 20th century for his two slim books of short stories, Torossian builds up a disturbing imagescape of sexual malice and voyeurism. Torossian’s films are characterized as much by her reuse of other artists’ work as they are by her trademark collage techniques.” – Chris Gehman, Images Festival of Independent Film & Video, 2001
