“Evans and Fodor use toned and manipulated film stock and disjunctive visual narrative to powerfully convey the sense of movement, urgency and exhilaration in this story of service-men going AWOL.” – Antimatter Festival
“Evans and Fodor use toned and manipulated film stock and disjunctive visual narrative to powerfully convey the sense of movement, urgency and exhilaration in this story of service-men going AWOL.” – Antimatter Festival
