Dance, The

“With an irresistible humour, Rimmer speculates in “The Dance” on the nature of the film loop. We see a (1920’s) couple whirling around a dance floor at a dizzying pace… Even after the technical building block of the film is evident, the vertiginous effect remains… Uncanny in its ability to evoke complexity of responses from a simplicity of means.” – Art and Cinema, #2