During WWII, the US Army Graves Registration Service hired the filmmaker’s Hungarian cousin, Dr. Sandor Lenard, to reconstruct the bones — small and large — of dead American soldiers. This elliptical work, which resonates as an anti-war meditation, is composed of excerpts of Sandor’s letters to Sachs’ family, highly abstracted war imagery and home movies of children at a birthday party. “Profound. The soundtrack is amazing. The image at the end of the girl with the avocado seed so hopeful. Good work.”— Barbara Hammer, filmmaker Screenings: TriBeca Film Festival, Ann Arbor Film Festival, Black Maria Film Fest (Award), Dallas Video Festival; Pacific Film Archive, MadCat Film Fest
The Small Ones
Stills From Video
More Films By Film Maker
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And Then We Marched
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The Task of the Translator
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Sound of a Shadow
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Same Stream Twice
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Your Day is My Night
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Drift and Bough
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Starfish Aorta Colossus
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Viva and Felix Growing Up
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Tip of My Tongue
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Wind In Our Hair
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Carolee, Barbara and Gunvor
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The Washing Society
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Day Residue
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A Year in Notes and Numbers
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A Month of Single Frames
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Girl is Presence
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Film About a Father Who
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Maya at 24
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Investigation of a Flame
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Still Life with Woman and Four Objects
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Following the Object to Its Logical Beginning
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Sermons and Sacred Pictures
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The House of Science: a museum of false facts
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Which Way Is East
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A Biography of Lilith
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Window Work
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Photograph of Wind
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Drawn and Quartered
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Tornado
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Atalanta: 32 Years Later
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Noa, Noa
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States of UnBelonging
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XY Chromosome Project
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Georgic for a Forgotten Planet
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Cuadro por Cuadro
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The Last Happy Day
