The Washing Society

When you drop off a bag of dirty laundry, who’s doing the washing and folding?  THE WASHING SOCIETY brings us into New York City laundromats and the experiences of the people who work there. Collaborating together for the first time, filmmaker Lynne Sachs and playwright Lizzie Olesker observe the disappearing public space of the neighborhood laundromat and the continual, intimate labor that happens there.  Inspired by To ‘Joy My Freedom author Tera Hunter’s depiction of the 1881 organization of African-American laundresses in Atlanta, Sachs and Olesker’s film THE WASHING SOCIETY investigates the intersection of history, underpaid work, immigration, and the sheer math of doing laundry.  Drawing on each other’s artistic practices, Sachs and Olesker present a stark yet poetic vision of those whose working lives often go unrecognized, turning a lens onto their hidden stories, which are often overlooked.  Dirt, skin, lint, stains, money, and time are thematically interwoven into the very fabric of THE WASHING SOCIETY through interviews and observational moments.   With original music by sound artist Stephen Vitiello, the film explores the slippery relationship between the real and the re-enacted with layers of dramatic dialogue and gestural choreography. The juxtaposition of narrative and documentary elements in THE WASHING SOCIETY creates a dream-like, yet hyper-real portrayal of a day in the life of a laundry worker, both past and present. THE WASHING SOCIETY has received support from Workers Unite Film Festival, New York State Council on the Arts, Brooklyn Arts Council, Lower Manhattan Cultural Council, Women and Media Coalition, Puffin Foundation and Fandor FIX Filmmakers. Our collaborators include: 
Laundry workers: Wing Ho, Lula Holloway, Margarita Lopez 
Actors: Ching Valdes-Aran, Jasmine Holloway, Veraalba Santa
Cinematographer: Sean Hanley 
Editor: Amanda Katz
Sound artist: Stephen Vitiello
Live Performance Producer: Emily Rubin, Loads of Prose Festivals and Other Screenings: Premiere ‘Punto de Vista’ International Documentary Film Festival, Pamplona, Spain; New York Premiere BAMcinemaFest, Brooklyn Academy of Music; Black Maria Film Festival Juror’s Stellar Award; Sebastopol Documentary Film Festival; Athens Film and Video Festival; El Festival Internacional de Cine Documental “Encuentros del Otro Cine”, Ecuador; European Media Arts Festival, Osnabrück, Germany; National Gallery of Art, Washington, DC; Anthology Film Archives, New York; Vancouver International Film Festival; Maine International Film Festival; Pacific Film Archive/ Berkeley Art Museum; Other Cinema, San Francisco; Indie Memphis Audience Award “Departures” (Avant-Garde) Category; Queens World Film Festival; National Civil Rights Museum; Chicago Undergound Film Festival; Downtown Community Television; Scribe Video Center, Philadelphia.