“Light Shaft” diagonally crosses the screen with a wedged light formation, usually on the diagonal. Its variations are rendered through arrangements of the tripod while panning the camera. Limiting the viewer’s attention to a smaller screen, a point in space, allows for a certain confusion as to whether the rest of the (dark) screen blends itself into the surrounding blackness or is just a window ino it. This is more apparent when the “wedged light” goes out of the frame. It can be felt as if crossing the room; and it reappears at the opposite end of the frame. Sometimes it just makes a turn and comes back. The form and size of the light are influenced by movements of other objects, thereby shifting the impressionof materiality between itself and its edges. (VG)
Puits de Lumiere, Le / Light Shaft
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