Pools of light and shadow displace each other as the camera describes an arc or spiral on a section of wall or ceiling. Periodically the motion stops, replaced by selective focus on a grainy object, creating a sense of wave motion in and out of the screen. This film is concerned with the projected, not just light or the emulsion or the illusion or the projector or the camera, but all of them. The surface of the film, the grain, is remembered when a similar but illusionistic surface appears (just a magnified), crossing the fram. Other times the grain is left to itself.
While Revolved
More Films By Film Maker
-
Intersection
-
Coda
-
Burning Bush
-
Travelogue
-
Color Study
-
Back View
-
Tableaux Vivants
-
Armoire (in 4 parts)
-
Waiting Room
-
Watercolor (Fall Creek)
-
Straight Lines
-
Closer Outside
-
Catch
-
Mend
-
Commute
-
Moonrise
-
Apres Meg, D’
-
I.D.
-
Interieur Interiors (To A. K.)
-
Out In the Garden
-
Surface Tension #2
-
Time’s Wake (Once Removed)
-
Toile, La / Shade
-
Tremors
-
Window Wind Chimes: Part 1
-
World in Focus
-
You
-
Brendan’s Cracker
-
Feet
-
Miracle Grow
-
Puits de Lumiere, Le / Light Shaft
-
Tabula Rasa
-
Material Incidents: A Collection of Digital Videos
-
North Southernly
-
Shut Up Barbie
-
Here
-
This, and This
-
Talking Portraits
-
Armoire
-
Chaises, Les
